All Carl Fredrik Hill's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
48912  
Carl Fredrik Hill, Am threading and flodkroken III
  		Am threading and flodkroken III mk187 1877 Oil slick pa screen 50x60cm
56292  
Carl Fredrik Hill, apple tree in blossom
  		apple tree in blossom mk247 1877,oil on canvas,19.625x24 in,50x61 cm,nationalmuseum,stockholm,sweden
48913  
Carl Fredrik Hill, Customer pa mine
  		Customer pa mine mk187 Artal Be wanting Oil slick pa screen 57.5x76cm
48914  
Carl Fredrik Hill, Sister Annals
  		Sister Annals mk187 Arthritis be wanting Oil slick pa screen 103x65cm
68182  
Carl Fredrik Hill, strand vid luc-sur-mer
  		strand vid luc-sur-mer 1876 53x65cm se
48915  
Carl Fredrik Hill, Strandbild,Luc - sour - More
  		Strandbild,Luc - sour - More mk187 1876 Oil slick pa screen 54x65cm
48911  
Carl Fredrik Hill, Trappgata in Montigny - sour Loing
  		Trappgata in Montigny - sour Loing mk187 1876 Oil slick pa screen 65x77cm
Carl Fredrik Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.



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